A story from a street corner - Arumachikadonomonogatari■ Public MediaIndependent Production ■ Original MediaAnime Original ■ Release date1962 ■ Number of EpisodesEpisode 1 ■ ProductionTezuka Productions/Mushi Productions ■Works©Tezuka Productions ■ExplanationA poster on a street corner, a girl who befriends a teddy bear, a street lamp and a mischievous moth drawn by its light. This private animation tells the story of living and non-living things on a street corner, interweaving their individual dramas, until they are all caught up in the flames of war and reach a tragic climax. It is a private animation that tells the story of emotions rather than stories. Frustrated by his work for major companies, this is an etude that Tezuka Osamu made to confirm for himself the kind of animation he wanted to make. Even a poster on the wall can be made to play out a vivid drama. This work shows us once again that this is the magic of animation. ■Detailed review"A Story of a Street Corner" is an animation work that Osamu Tezuka produced independently, and is characterized by its unique perspective and deep emotional expression. It was released in 1962 and made a strong impression on viewers despite being a short one-episode work. This work, which Osamu Tezuka made to pursue his own creativity away from major corporate productions, symbolizes his artistic talent and passion for animation. The story unfolds on a street corner, where there are posters and a girl who befriends a teddy bear. There is also a moth that is attracted to the light of a street lamp. These elements depict a drama in which living and non-living things intersect, and ultimately the story ends tragically as it is caught up in the flames of war. However, the true appeal of this work lies not in the "story" itself, but in the depiction of "emotions." Tezuka Osamu has paid meticulous attention to detail in his direction in order to evoke emotional empathy in the viewer. For example, the scene where the characters depicted on the poster come to life and move maximizes the potential of animation. By making even inanimate objects such as posters act out a drama, Tezuka Osamu conveys the magic of animation to viewers. The relationship between the girl and the teddy bear also warms the hearts of viewers. Furthermore, the scene where a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, deeply moving the viewer. This work was created by Tezuka Osamu to pursue his own creativity away from the production of major companies, and it symbolizes his artistic talent and passion for animation. Tezuka Osamu pays close attention to detail in order to evoke emotional empathy in the viewer. For example, the scene in which the characters depicted on the poster come to life brings out the full potential of animation. By making even an inanimate object, such as a poster, act out a drama, Tezuka Osamu conveys the magic of animation to the viewer. The relationship between the girl and the teddy bear also warms the viewer's heart. Furthermore, the scene in which a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, and deeply moves the viewer. "A Story of a Street Corner" is an animation work that Osamu Tezuka produced independently, and is characterized by its unique perspective and deep emotional expression. It was released in 1962 and made a strong impression on viewers despite being a short one-episode work. This work, which Osamu Tezuka made to pursue his own creativity away from major corporate productions, symbolizes his artistic talent and passion for animation. The story unfolds on a street corner, where there are posters and a girl who befriends a teddy bear. There is also a moth that is attracted to the light of a street lamp. These elements depict a drama in which living and non-living things intersect, and ultimately the story ends tragically as it is caught up in the flames of war. However, the true appeal of this work lies not in the "story" itself, but in the depiction of "emotions." Tezuka Osamu has paid meticulous attention to detail in his direction in order to evoke emotional empathy in the viewer. For example, the scene where the characters depicted on the poster come to life and move maximizes the potential of animation. By making even inanimate objects such as posters act out a drama, Tezuka Osamu conveys the magic of animation to viewers. The relationship between the girl and the teddy bear also warms the hearts of viewers. Furthermore, the scene where a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, deeply moving the viewer. This work was created by Tezuka Osamu to pursue his own creativity away from the production of major companies, and it symbolizes his artistic talent and passion for animation. Tezuka Osamu pays close attention to detail in order to evoke emotional empathy in the viewer. For example, the scene in which the characters depicted on the poster come to life brings out the full potential of animation. By making even an inanimate object, such as a poster, act out a drama, Tezuka Osamu conveys the magic of animation to the viewer. The relationship between the girl and the teddy bear also warms the viewer's heart. Furthermore, the scene in which a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, and deeply moves the viewer. "A Story of a Street Corner" is an animation work that Osamu Tezuka produced independently, and is characterized by its unique perspective and deep emotional expression. It was released in 1962 and made a strong impression on viewers despite being a short one-episode work. This work, which Osamu Tezuka made to pursue his own creativity away from major corporate productions, symbolizes his artistic talent and passion for animation. The story unfolds on a street corner, where there are posters and a girl who befriends a teddy bear. There is also a moth that is attracted to the light of a street lamp. These elements depict a drama in which living and non-living things intersect, and ultimately the story ends tragically as it is caught up in the flames of war. However, the true appeal of this work lies not in the "story" itself, but in the depiction of "emotions." Tezuka Osamu has paid meticulous attention to detail in his direction in order to evoke emotional empathy in the viewer. For example, the scene where the characters depicted on the poster come to life and move maximizes the potential of animation. By making even inanimate objects such as posters act out a drama, Tezuka Osamu conveys the magic of animation to viewers. The relationship between the girl and the teddy bear also warms the hearts of viewers. Furthermore, the scene where a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, deeply moving the viewer. This work was created by Tezuka Osamu to pursue his own creativity away from the production of major companies, and it symbolizes his artistic talent and passion for animation. Tezuka Osamu pays close attention to detail in order to evoke emotional empathy in the viewer. For example, the scene in which the characters depicted on the poster come to life brings out the full potential of animation. By making even an inanimate object, such as a poster, act out a drama, Tezuka Osamu conveys the magic of animation to the viewer. The relationship between the girl and the teddy bear also warms the viewer's heart. Furthermore, the scene in which a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, and deeply moves the viewer. "A Story of a Street Corner" is an animation work that Osamu Tezuka produced independently, and is characterized by its unique perspective and deep emotional expression. It was released in 1962 and made a strong impression on viewers despite being a short one-episode work. This work, which Osamu Tezuka made to pursue his own creativity away from major corporate productions, symbolizes his artistic talent and passion for animation. The story unfolds on a street corner, where there are posters and a girl who befriends a teddy bear. There is also a moth that is attracted to the light of a street lamp. These elements depict a drama in which living and non-living things intersect, and ultimately the story ends tragically as it is caught up in the flames of war. However, the true appeal of this work lies not in the "story" itself, but in the depiction of "emotions." Tezuka Osamu has paid meticulous attention to detail in his direction in order to evoke emotional empathy in the viewer. For example, the scene where the characters depicted on the poster come to life and move maximizes the potential of animation. By making even inanimate objects such as posters act out a drama, Tezuka Osamu conveys the magic of animation to viewers. The relationship between the girl and the teddy bear also warms the hearts of viewers. Furthermore, the scene where a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, deeply moving the viewer. This work was created by Tezuka Osamu to pursue his own creativity away from the production of major companies, and it symbolizes his artistic talent and passion for animation. Tezuka Osamu pays close attention to detail in order to evoke emotional empathy in the viewer. For example, the scene in which the characters depicted on the poster come to life brings out the full potential of animation. By making even an inanimate object, such as a poster, act out a drama, Tezuka Osamu conveys the magic of animation to the viewer. The relationship between the girl and the teddy bear also warms the viewer's heart. Furthermore, the scene in which a moth is attracted to the light of a street lamp symbolizes the transience and beauty of life, and deeply moves the viewer. |
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