The first 4K panoramic sound Cantonese opera movie "Legend of the White Snake: Love" will be released on May 20. Recently, the official released the final trailer, "It's consensual, who is offended, who is involved, and who is against the will of heaven." Final trailer: "Legend of the White Snake: Love" is directed by Zhang Xianfeng and written by Mo Fei, starring Zeng Xiaomin (Bai Suzhen) and Wen Ruqing (Xu Xian), produced by Pearl River Film Group Co., Ltd. and Guangdong Cantonese Opera House, using the latest ultra-high-definition video technology to interpret traditional opera classics. The characters are exquisitely modeled and the pictures are beautiful. "Legend of the White Snake: Love" uses cutting-edge 4K technology, and special effects shots account for more than 90% of the entire film. In pursuit of the ultimate oriental aesthetic presentation and stunning visual effects, the special effects part was completed by the top special effects teams from Australia, New Zealand, and China, presenting the abstract stage scenes of "stealing the fairy grass" and "flooding Jinshan" with fantastic effects. Among them, the special effects shot of "flooding Jinshan" shows a grand scene of huge waves, which was presented for 6 minutes at all costs. Through the film camera, the actors' graceful figures are fully displayed, demonstrating the perfect fusion of opera and film. An audience member who attended the preview said, "I didn't expect a opera movie to be shot in such a blockbuster style! It's a surprise." Many film critics believe that "The Legend of White Snake" has achieved a perfect fusion between opera and film, literary and martial arts, Western special effects and Eastern aesthetics. Director Zhang Xianfeng said: "This time we used Western special effects technology to present Eastern aesthetics, which was also a bold attempt. We weakened the light and shadow in the film, and used exquisite composition and oriental charm to show the love story of Bai Suzhen and Xu Xian. At the same time, because of the involvement of a large number of special effects, we tried to make opera films into industrialized film production." |
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