The appeal and reviews of "HELLSING": A deep look into the world of vampire hunters

HELLSING - A fierce battle between vampires and hunters

"HELLSING" is an OVA series based on the manga of the same name by Kouta Hirano, with a total of 10 episodes released between 2006 and 2012. Taking advantage of the OVA format, the work is characterized by its detailed drawings and deep story development. In this article, we will introduce the appeal and highlights of "HELLSING", as well as detailed information about the background.

story

The story of "HELLSING" begins with a bizarre incident in which a village in England is taken over by monsters. Rookie policewoman Seras Victoria and her companions head to rescue the villagers, but the village has already been taken over by "non-humans". Integra, a beautiful female commander of a special agency, appears at the chaotic headquarters and tells the police that the incident was the work of vampires and that a monster specialized in vampire hunting has been deployed. The monster is Alucard, a vampire who, despite being a human, wields a huge gun and exterminates his own kind of vampires at the command of his master. He asks Seras, who has been taken hostage and seriously injured, to choose between becoming a vampire and living, or dying. Seras chooses to live, and the Royal Protestant Knights, commonly known as the Hellsing Organization, join the group, which exterminates vampires one after another, but behind the scenes, a huge conspiracy against England and the Hellsing Organization is lurking.

Commentary

The setting of "HELLSING" is centered around three characters: Integra, the female head of the Hellsing family who governs the Royal Protestant Knights of the British Empire, commonly known as the "Hellsing Organization"; Alucard, an immortal vampire who submits to Integra; and Seras, a former policewoman who became a novice vampire by Alucard. The basic story development follows Bram Stoker's work of vampires vs. vampire hunters, and centers around the battle between the Royal Protestant Knights and vampires and ghouls. Alucard and Seras are unique in that, although they are vampires, they make their living as vampire hunters. In the beginning of the story, the Hellsing Organization deals with frequent vampire incidents in the British mainland, and local battles unfold, but halfway through the story, the mastermind behind the vampire incidents becomes clear, and the story unfolds in a chaotic manner, with non-human armies fighting each other in a bloody battle. The last battalion, "Millennium," a remnant of the Nazis who had fled to South America on Hitler's orders, appears and leads a 1,000-man vampire unit into another air raid on the British mainland. They are joined by 3,000 members of the Vatican's Ninth Airborne Crusade, and London is plunged into destruction and chaos not seen since World War II.

cast

The voice actors who play the main characters in "HELLSING" are as follows:

• Alucard: Jouji Nakata
• Integra: Ryoko Sakakibara
• Seras Victoria: Fumiko Orikasa
• Alexander Andersen: Norio Wakamoto
• Heinkel Uhu: Mitsuki Saiga
• Yumie: Yuko Kaida
• Major: Nobuo Tobita
• Doc: Hiroshi Naka
• Schrodinger: Ryoko Shiraishi
• Walter C. Dornez (Young Man): Daisuke Namikawa
• Walter C. Dornez (Boy): Romi Park
• Previous Lord Hellsing: Norio Otsuka
• Lord Islands: Katsuyuki Hori
• Lieutenant General Rob Walsh: Ryuzaburo Otomo
• Luke Valentine: Takehito Koyasu
• Captain: Yuki Takeda
• Military Police Lieutenant: Tomoyuki Higuchi
• Signaller: Manabu Sakamaki
• Ottoman Turkish nobility: Hiroo Sasaki
• Priest: Kiyoto Yoshikai
• Narration: Takahisa Takagi

Main Staff

The following staff members were involved in the production of "HELLSING".

• Original author: Kouta Hirano
• Directors: Tomokazu Tokoro, Hiroyuki Tanaka, Yasuhiro Matsumura, Kenichi Suzuki
• Series Composition: Yosuke Kuroda
• Character design and chief animation director: Ryoji Nakamori
• Sub-character design: Yae Otsuka, Shinsuke Terasawa, Toshiya Washida, Yang Byung Gil
• Mechanical design: Hidetaka Tenjin
• Color design: Hitomi Sano, Haruko Nobori, Eriko Murata
• Art director: Manabu Ozugi, Hidenori Nakahara, Brunet Stanislas, Takafumi Nishima, Hiroshi Yoshikawa
• Production design: Noriyuki Jinguji
• Prop design: Hiroshi Ogawa, Manturi Okuda
• Director of photography: Toru Fukushi, Oh Seong ha, Lee Suk bum, Hisashi Goseki, Yoshihiro Sekiya, Takeo Ogihara
• Edited by Kengo Shigemura, Satoshi Terauchi, and Kiyoshi Hirose
• Sound Director: Yota Tsuruoka
• Music: Hayato Matsuo
• Music producer: Toshiaki Ota
• Animation Producers: Tsutomu Inamura, Katsuya Shirai, Tsutomu Inamura, Yaoki Tokashiki
• Producers: Koji Ueda, Yoshiyuki Fudeya, Satoshi Yoshimoto, Yukiko Futagata, Kentaro Hashimoto
• Animation production: Satelight, Madhouse, Graphinica
• Produced by: WILD GEESE

subtitle

The subtitles and release dates for each episode of "HELLSING" are as follows:

• HELLSING I (February 10, 2006)
• HELLSING Ⅱ (August 25, 2006)
• HELLSING Ⅲ (April 4, 2007)
• HELLSING IV (February 22, 2008)
• HELLSING Ⅴ (November 21, 2008)
• HELLSING Ⅵ (July 24, 2009)
• HELLSING VII (December 23, 2009)
• HELLSING VIII (July 27, 2011)
• HELLSING Ⅸ (February 15, 2012)
• HELLSING Ⅹ (December 26, 2012)

Related Titles

The following works are related to "HELLSING".

• HELLSING THE DAWN

Theme songs and music

The ending theme and insert songs for "HELLSING" are as follows.

• ED1: The Angel
  • Lyricist: Hermann Löns
  • Composer: Herms Niel
  • Arrangement: Hayato Matsuo
• ED2: Magnolia
  • Lyricist: Suiren
  • Composer: Suiren
  • Song: Suiren
• ED3: Penetrating
  • Lyricist: Suiren
  • Composer: Suiren
  • Song: Suiren
• ED4: PS Namu Amida Butsu
  • Lyricist: Yasushi Ishii
  • Composer: Yasushi Ishii
  • Sung by: Yasushi Ishii
• ED5: If you're going to war, fight with bows, spears, and swords!
  • Lyricist: Yasushi Ishii
  • Composer: Yasushi Ishii
  • Sung by: Yasushi Ishii
• ED6: SCARS
  • Lyricist: Maon Kurosaki
  • Composer: R.O.N
  • Arrangement: R.O.N
  • Vocals: Maon Kurosaki
• ED7: Gradus vita
  • Lyricist: Mami Hamada
  • Composer: Hayato Matsuo
  • Performed by: Warsaw Philharmonic Orchestra
• IN1: Devil's Nest Gold Fool
  • Lyricist: Teruyuki Takahashi
  • Composer: Teruyuki Takahashi
  • Song: Tokusatsu
• IN2: Broken English
  • Lyricist: Marianne Faithfull
  • Composer: Marianne Faithfull
  • Sung by: SCHAFT

The appeal and highlights of "HELLSING"

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

Character Appeal

Each character in "HELLSING" has their own unique and fascinating background. Alucard is an immortal vampire, yet he is also loyal to Integra, which is a contradiction. His battle scenes and lines show his intense charisma and dark charm. Meanwhile, Integra, as the head of the Hellsing Organization, shows calm and strong leadership. Her decisiveness and sense of responsibility have a great influence on the progress of the story. In addition, Seras Victoria is depicted growing as a novice vampire, which evokes sympathy from the viewer. Her purity and courage support the central theme of the story.

Production background and staff commitment

Several studios were involved in the production of "HELLSING". The three studios, Satelight, Madhouse, and Graphinica, worked together to produce the series, resulting in different drawing styles and direction for each episode. This is one of the things that makes the most of the OVA format, and allows you to enjoy visual diversity. Also, don't miss the fact that the individuality of each staff member, including the director, character designer, and music, is reflected in the work. In particular, Hayato Matsuo's music is an important element that enhances the atmosphere of the story.

Related work: "HELLSING THE DAWN"

"HELLSING THE DAWN" is a spin-off of "HELLSING" that tells the story of Alucard's past. This work reveals the background of how Alucard became a member of the Hellsing Organization. For fans of "HELLSING", it is an important work to learn about the character's deep psychology and history. In addition, the detailed drawings and direction that take advantage of the OVA format are of the same high quality as the main "HELLSING" story, providing plenty of visual enjoyment.

Recommendations and ratings

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.

While "HELLSING" is based on the fantasy element of vampires, it also skillfully incorporates real-world history and culture. In particular, in the episode in which the remnants of Nazi Germany, "Millennium," appear, the story development reflects the historical background of World War II. In addition, religious themes are also deeply explored in the battle scene with the Vatican's Ninth Airborne Crusade. The combination of these elements makes it a work with deeper themes than simply a story of vampire hunters.

Another big attraction of "HELLSING" is the detailed drawings and direction that take advantage of the OVA format. In particular, Alucard's battle scenes and Seras' growth process are depicted visually with great impact. Furthermore, each episode has a different ending theme and insert song, which adds to the atmosphere of the work musically.